Photographed as they are.

Every piece shot on a dark ground under a single light — one slab, live-edge boards laid side by side, a channel of dark resin, solid stone. Nothing is styled and nothing is a render. Each photograph says which table it is and goes to it.

The Estuary — the full length under one light, black steel X-frames set in from each end
THE ESTUARY
The Tempest — the whole top under one light, live edge running the length of both long sides
THE TEMPEST
The Cascade — the fall pouring from the fold to the floor, plank base holding the far end
THE CASCADE
The Cataract — the top running level, then the fall breaking into folds on its way to the floor
THE CATARACT
The Riverbed — full length on the blackened steel X-frame, filled fissures running with the grain
THE RIVERBED
The Highland — pale sapwood edges running the length of the jointed top, black X-frame beneath
THE HIGHLAND
The Ravine — oak boards jointed along the length, live edges left on both long sides
THE RAVINE
The Glacier — oval top on two faceted columns, seen from the corner
THE GLACIERSOLD
The Rift — seen from the head, the channel running the length between the two boards
THE RIFTSOLD
The Lagoon — the trunk’s whole outline kept, pale sapwood rimming every lobe
THE LAGOON
The Mudra — the open hand under a single light, wrist thickening into its own base
THE MUDRA
The Estuary — from above, one width of Suar with both live edges as the tree drew them
THE ESTUARY
The Tempest — grain turning close to the edge, dark heartwood meeting pale sapwood
THE TEMPEST
The Cascade — close on the fold, mitred where the top turns and runs down to the floor
THE CASCADE
The Cataract — the fall head on, fluted folds fanning wide beneath the edge of the top
THE CATARACT
The Riverbed — the live edge, burr and all, with one black steel leg under the corner
THE RIVERBED
The Highland — from above, the pale edge of every board kept where it was jointed to the next
THE HIGHLAND
The Ravine — the whole top from above, joint lines running end to end between the two live edges
THE RAVINE
The Glacier — seen from above, the vein running the length of the top
THE GLACIERSOLD
The Rift — live edges facing across the dark channel, angled leg under the near corner
THE RIFTSOLD
The Lagoon — growth rings turning tight around the pith, one small check at the centre
THE LAGOON
The Mudra — growth rings circling the hollow of the palm, worked to a low shine
THE MUDRA
The Estuary — a knot close up, the rings turning around it, fine checks running from the centre
THE ESTUARY
The Tempest — the top seen flat: streaked heartwood down the middle, sapwood along both edges
THE TEMPEST
The Cascade — ribboned grain across the top, pale sapwood along the near edge
THE CASCADE
The Cataract — raking light across the folds, every ridge cut and worked smooth
THE CATARACT
The Riverbed — from above, both live edges and the fissures filled level with the surface
THE RIVERBED
The Highland — live edge wave along the long side, and the top’s full thickness at the corner
THE HIGHLAND
The Ravine — two blackened steel X-frames, fixing plates flat against the underside
THE RAVINE
The Glacier — one column under the overhang, its face cut in vertical facets
THE GLACIERSOLD
The Rift — close on the surface, curl and dark streak running out to the live edge
THE RIFTSOLD
The Estuary — the black X-frame at floor level, a diamond held where the two flats cross
THE ESTUARY
The Tempest — blackened steel X-frame from floor level, slab edge overhead
THE TEMPEST
The Cascade — seen end on, the top overhanging the plank base
THE CASCADE
The Cataract — from above: pale sapwood down both edges, dark voids where the fall begins
THE CATARACT
The Riverbed — blackened steel X-frame under the end, checks in the end grain above
THE RIVERBED
The Highland — the X-frame seen end on, the top overhanging it on both sides
THE HIGHLAND
The Ravine — eased arris on the sawn end, the live edge running away above the black frame
THE RAVINE
The Glacier — the end of the top, edge eased and polished, vein running out to it
THE GLACIERSOLD
The Rift — the crossed frame end on, the top edge lit in a thin line above
THE RIFTSOLD

Whatever is still standing is finished, in the UK, and delivered in 48 hours.

The photograph is the piece — there is no second one behind it, which is why some of these are marked sold. Enquiring costs nothing and takes no payment.

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